Available for the first time in English, this critical translation draws from the original seven Latin editions and Georg Friedrich Meier’s 18th-century German translation.Ī History of Philosophyvol. The problems of aesthetics had been treated by others before Baumgarten, but he both metaphyxica the discussion of such topics as art and beauty and set the discipline off from the rest of philosophy. The other alternative would be for the new aesthetic to share the name with speculative philosophy. Today Baumgarten is also regarded as a central founder of modern aesthetics. It is a very welcome addition to the primary sources available to scholars. Nine years later, in his Critique of JudgmentKant conformed to Baumgarten’s new usage and employed the word aesthetic to mean the judgment of taste or the estimation of the beautiful. Refined philosophical notions, on the other hand, made their content obvious, and were thus described as more ‘clear and distinct’ than those provided by the senses. Meier, but more profoundly through the work of Immanuel Kant and thus, eventually, G. The translators’ historically contextualizing introduction, textual annotations, and ancillary translations of Kant’s notes on the Metaphysica will thus be remarkably useful to anyone who wants to understand what goes on in a highly significant phase of early modern philosophy. There was a problem with your submission.
The Philosophical Context of the Metaphysics. Metwphysica was a brother to theologian Siegmund Jakob Baumgarten - In other projects Wikimedia Baumgaarten. Alexander Gottlieb Baumgarten | German philosopher |
A science of aesthetics would be, for Baumgarten, a deduction of the rules or principles of artistic or natural beauty from individual “taste”.Īlexander Baumgartenan influential German baumharten preceding Immanuel Kant, is remembered mainly as a founder of modern aesthetics. The term ‘ aesthetics ‘ is still used today to describe the philosophy of art. By trying to develop an idea of good and bad taste, he also in turn generated philosophical debate around this new meaning of aesthetics.Ī skilled poet has a sense of what stylistic devises are responsible for baumgaren force, and so appears to have a grasp on some set of rules, yet these rules appear to be rather unlike rules of logic or conceptual analysis.
It is, rather, baumgzrten judgment of taste which constitutes the proper test for the correctness of those rules or criteria. For scholars of Kant, the German Enlightenment and the history of metaphysics, Alexander Baumgarten’s Metaphysics is an essential.įugate and Hymers’ rich, attentive and scrupulous critical notes never make the reader feel unassisted in this undertaking. He was a brother to theologian Siegmund Jakob Baumgarten. Alexander Gottlieb Baumgarten was a German philosopher.
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